Ciro Santilli
OurBigBook.com
$£ Sponsor €¥
中国独裁统治 China Dictatorship 新疆改造中心、六四事件、法轮功、郝海东、709大抓捕、2015巴拿马文件 邓家贵、低端人口、西藏骚乱
The Portuguese term for it is "Música popular brasileira". The widely recognized Brazilian acronym is "MPB".
"Brazilian pop" and "Br-pop" are inventions by Ciro Santilli, which are how Ciro thinks Brazil should market it to the world.
Unfortunatey "B-pop" is too ambiguous with British pop music, and should be avoided.
It is such a huge shame that you have to understand Portuguese to appreciate those songs... this is yet another great evil outcome of having more than one natural language is bad for the world.
The good songs stopped before of just after Ciro Santilli was born, they were originally heard by his parent's generation. Those young new kids are boring.
The place to start is definitely the Holy Trinity of popular Brazilian music:
- Caetano Veloso is arguably Ciro Santilli's favorite MPB artist, he has just too many amazing songs, best ones at: Section "The best Caetano Veloso songs"
- Chico Buarque. Ciro's second favorite.
- Gilberto Gil. Perhaps Ciro likes him third because he is the most lighthearted one, although not always: Section "The best Gilberto Gil songs"
Non trinity songs and artists:
Video 1. Chega de saudade by Tom Jobim. Source. Video 2. Asa Branca by Luiz Gonzaga. Source. Written in 1947 Video 3. "O vento" by Dorival Caymmi (1949) Source. Video 4. "Panis et Circenses" from the Tropicália: ou Panis et Circencis (1968). Source. Composed by Gilberto Gil and Caetano Veloso and performed by Os Mutantes Video 5. "Mistério do Planeta" from the Acabou Chorare album by Novos Baianos (1972) Source. Video 6. "Senhor Cidadão" from the Se O Caso É Chorar album by Tom Zé (1972) Source. Anti-Military dictatorship in Brazil song, appears to reuse terms used by the dictatorship propaganda in the song. Video 7. "Marimbondo" from the "Pirão de Peixe com Pimenta (1977)" album by Sá & Guarabyra (1977) Source. Video 8. Romaria by Renato Teixeira. Source. Title track of the 1978 album. Video 9. Metamorfose Ambulante by Raul Seixas (1973) Source. From the album Krig-ha, Bandolo! Video 10. Ouro de Tolo by Raul Seixas (1973) Source. This dude should be a scientist. But well, he went for mystic/artist. Close enough. Video 11. Gita by Raul Seixas (1974) Source. From the album: Gita. Video 12. Maluco Beleza by Raul Seixas (1977) Source. From the album O Dia em que a Terra Parou
- Tom Jobim
Video 13. A Felicidade by Tom Jobim (1958) Source. Composed for the Black Orpheus (1958) film. "Tristeza não tem fim, felicidade sim" (Sadness never ends, but happiness does). The movie itself is OK. Appeals to Ciro's Buddhist sensibilities. Video 14. Jorge da Capadócia by Jorge Ben Jor (1975) Source. From the Solta o Pavão (1975) album. The Caetano interpretation is better however, poor Jorge. - Jair Rodrigues
Video 15. Disparada by Jair Rodrigues (1968) Source. This song is simply amazing. Not exactly MPB, a bit more towards country, but close enough. This was as the track of some soap opera. Video 16. Deixa Isso Pra Lá by Jair Rodrigues (1964) Source. Fantastic early example of early rap music!!! This is regocnized example at: www.youtube.com/watch?v=jfnDEuuPq4Q which builds upon the 1964 song. Amazing. An amazing live performance at: www.youtube.com/watch?v=O3E1uHdrJws, only not using that as the default link as it is not from the official channel. - Vinicius de Moraes. Many of his lyrics are poetry. Notably, he has some "children" songs that you think about as an adult and go "oh fuck". For some reason, Ciro can't help but think that he looks like a pedophile, but he doesn't have any scandals apparently, poor dude. He was a drunkard for sure though.
Video 17. A Casa by Vinicius de Moraes (1972) Source. Children song. Video 18. Tarde em Itapuã by Vinicius de Moraes (1971) Source. www.dicionariotupiguarani.com.br/dicionario/itapua/ gives the meaning of "Itapuã". It originates from the Tupi Guarani language, and is the name of a beach in Salvador (Praia de Itapuã), to which the song presumably refers:
Figure 1. Itapuã beach in Salvador. Source. Video 19. Aquarela by Toquinho (1983) Source. This is a mega childhood hit, and it never gets old. Amazing. One of the most brutal memento moris ever? Video 20. Xô Saudade by Alceu Valença. Source. From the 1980 album "Coração Bobo" Video 21. Carcará by João Do Vale (1981) Source. From the eponymous album.Video 22. Carcará by Maria Bethânia (1981) Source. This very good interpretation likely did much to popularize the song. 
Figure 2. A carcará bird. Source. Video 23. Carcará by Planeta Aves (2020) Source. A Brazilian bird watcher channel. Interestingly he mentions that the carcará actually knows how to scour post wildfire ares searching for dead animals, as mentioned in the song "it even eats burnt snakes". Video 24. Na Rua, Na Chuava, Na Fazenda by Hyldon (1974) Source. Video 25. Tudo o que você podia ser from the Clube da Esquina album by Milton Nascimento (1972) Source. Anti-Military dictatorship in Brazil song, using the common "you means the dictatorship" technique. Video 26. Caçador De Mim from the eponymous album by Milton Nascimento (1981) Source.
Honorable mentions:
Video 27. As Curvas da Estrada de Santos by Roberto Carlos (1969) Source. Roberto Carlos makes Ciro cringe, it brings back memories of pre-New Year television Galas in the early 2000s at his great aunt's home in Santos, São Paulo, Brazil.This is the only bearable song by the artist, as it talks about going down to Ciro's beloved Santos, São Paulo, Brazil from the city of São Paulo, which lies on a plateau of about 700 meters above sea level, a trip that takes you down through the spectacular Serra do Mar tropical rainforest.The mountainous roads of the older road, Rodovia Anchieta there are very curvy, and can be very dangerous when there is fog. The heavy truck traffic to/from the port of Santos makes this even worse.But it also makes everything much more spectacular, as you get closer to the forest, and at slower speeds, with occasional panoramic views of the city.The newer road, Rodovia dos Imigrantes is a straighter, safer and boring alternative to it.Ciro did this many times on bus when he was studying at the university of São Paulo and going back home for the weekend from time to time.
Figure 3. A typical view going down Via Anchieta. Source. Video 28. Going down the Via Anchieta by Silvanio Bus Driver (2022) Source. Video 29. Dança Da Solidão by Paulinho da Viola. Source. Released 1972.
In Ciro Santilli's view, the following three artists form a Holy Trinity of popular Brazilian music:
Elis Regina is not far though.
Ciro remembers quite clearly when he was riding the car with his parents when he pre teen, and he could not understand why they seemed so obsessed with The Trinity et al. Ciro in particular remembers listening to Video 58. "Refazenda by Gilberto Gil (1975)". They had picked it up of course from the 70's and 80's when they were younger.
Young Ciro would also always confuse who was whom from the three of them.
Then Ciro got older, and he understood, they are mind blowing. You do have to look back in time a bit though, lots of lukewarm stuff on later periods. The military dictatorship in Brazil was good for music.
Within the The Holy Trinity of popular Brazilian music, Caetano has the most New Age religious feel to him. He is also perhaps the most varied of the trinity however, also covering heavier topics at times.
Video 30. Alegria, Alegria by Caetano Veloso (1968) Source. Critique of Military dictatorship in Brazil.
- 1972
- Transa (1972) album. Literally: "The Fuck", good old seventies.
Video 31. Triste Bahia by Caetano Veloso (1972) Source. Inspired by (or more likely: actually is) Capoeira music. Video 32. Mora na Filosofia by Caetano Veloso (1972) Source.
Video 33. Você Não Entende Nada by Caetano Veloso (1970) Source. Amazing performance at Coliseu dos Recreios, Lisbon. 1981. Discogs says original album is Legal (1970), but wiki page and photos of back disagree...This song talks about a man's mixed desires to remain with his partner and also escape to adventure. It contains one of the most amazing sexual innuendo ever recorded: the man describes foods that his partner will serve him, and the he endlessly eats and eats and eats:eu como, eu como, eu como, você [... huge intentional pause ...] não está entendendo quase nada do que eu digo.
translation:I eat, I eat, I eat, you [... huge intentional pause ...] don't understand anything that I'm saying.
which makes it unclear "you" is part of "I eat you" (to eat (comer) is a slang for fucking), or if "you" is part of the next sentence.Video 34. Partido Alto by Caetano Veloso (1972) Source. Atheism song (Theodicy)! Lyrics by Chico Buarque, but Ciro Santilli prefers this interpretation. From the 1972 "Caetano E Chico Juntos E Ao Vivo" joint album with Chico Buarque.
- 1975 Qualquer coisa album
Video 35. Qualquer Coisa by Caetano Veloso (1975) Source. Video 36. Samba e Amor by Caetano Veloso (1975) Source. Cover from original song by Chico Buarque, original album Chico Buarque de Hollanda - Nº4. Desperately reminds Ciro of his University day weekend nights. Except that there was no Samba. And little Amor. Mostly a silent and wholesome loneliness and emulation. Video 37. Georde de Capadócia by Caetano Veloso (1975) Source. Composed by Jorge Ben, but this interpretation is remarkable. corpo fechado (closed body) style song. This idea is much linked to Capoeira/African religion idea. E.g. a more traditional capoeira corpo fechado song: www.youtube.com/watch?v=tfd9j6XFmSgVideo 38. Coricos' prayer scene from Black God, White Devil (1964) Source. This shows an Amazing corpo fechado scene from an amazing old black an white Brazilian film.
- 1976 Doces Bárbaros (1976) album
Video 39. Um Índio by Caetano Veloso (1976) Source. Recording from 1992. Also appeared in the Bicho (1977) album. - 1977 Bicho (1977)
Video 40. Tigresa by Caetano Veloso (1977) Source. Talks about a strong willed, unapologetic, disenchanted, but also hopeful brown skinned lover: a tigress. Ciro once knew one, but it wasn't meant to be.
- 1978 album Muito (Dentro da Estrela Azulada)
Video 41. Sampa by Caetano Veloso (1978) Source. "Sampa" is an affectionate slang for São Paulo City. The song perfectly captures the city, and reminds Ciro so badly of his University days there.[D]a força da grana que ergue e destroi coisas belas
The power of money that builds and destroy beautiful thingsVideo 42. Terra by Caetano Veloso (1978) Source. "Terra" means Earth in Portuguese.Ciro used to watch a television nature show called "Planeta Terra" in the legendary TV Cultura with his parents in the couch when he was young, and under a duvet when it was a bit cold. Those days were the best. The narrator's lady voice was particularly soothing, and would easily put you in a kind of sleepy trance, her name is Valéria GrilloTODO what was the original show exactly? Here is a sample: www.youtube.com/watch?v=vNwfYEMdrRU Very likely just a translation of some British nature show with a custom Brazilian intro and presenter. Credits at end mention English narrator: "Eugene Fraser", and "Thirteen WNET Nature" production, which produced Nature (1982) that ran since 1982, making that a likely candidate. - 1980
Video 43. Menino do Rio by Caetano Veloso (1980) Source. Apparently served as inspiration for the Menino do Rio (1980) movie, which is silly, but a worthwhile record of the times. - 1984 Velô (1984)
Video 44. O Quereres by Caetano Veloso (1984) Source. Notable quote from the chorus that is often in Ciro's mind: Ah, bruta flor, do querer
translation:Oh, brute flower of the wanting
Within the The Holy Trinity of popular Brazilian music, Chico tends to approach the more down to Earth and heavy topics.
Video 45. Quem Te Viu, Quem Te Vê by Chico Buarque. Source. Performed for television for the Hebe Camargo show on TV Record in 1966.Present in the 1967 album "Chico Buarque de Hollanda - Volume 2".The song is about sambist woman who moved up in social rank, and does not dance samba with her impoverished old friends anymore.Video 46. Apesar de Você by Chico Buarque. Source. Released 1970. Portuguese wiki page for the song.It is a song against the military dictatorship in Brazil. "Você" (you) can ambiguously refer to either a loved woman, or to the dictatorship itself throughout the song.Video 47. Roda Viva by Chico Buarque. Source. From the 1968 Chico Buarque de Hollanda - Volume 3 (1968) album. Video 48. Construção by Chico Buarque. Source. Video 49. Cotidiano by Chico Buarque. Source. Video 50. Cálice (Cale-se) by Chico Buarque. Source. Featuring Milton Nascimento. Song against the military dictatorship in Brazil, a pun on the homonym "Cálice" (chalice) and "Cale-se" (shut up), a reference to censorship during the dictatorship. Video 51. Feijoada completa by Chico Buarque. Source. Malandro-themed song about gathering friends to eat a Feijoada at home, but the money is not quite enough so they have to improvise a bit. Video 52. A volta do malandro by Chico Buarque. Source. From the Malandro (1985) album Video 53. Teresinha by Chico Buarque. Source. The version performed by Maria Bethânia is also notable: Video "Teresinha performed by Maria Bethânia".Video 54. Paratodos by Chico Buarque. Source. From the 1993 "Paratodos" album.
Gilberto is definitely the most psychedelic one of the The Holy Trinity of popular Brazilian music, though he also has a boyish quality to his soul.
Good selection: Acústico MTV - Gilberto Gil (1994).
- 1967 Louvação (1967) album
Video 55. Lunik 9 Gilberto Gil (1967) Source. Ciro Santilli prefers Elis Regina's interpretation however. Video 56. A Paz by Gilberto Gil (1967) Source. Performed 2009. - 1972 Expresso 2222 album.
Video 57. Expresso 2222 by Gilberto Gil (1972) Source. - 1975 Refazenda (1975) album. This album is just too Legendary. The cover is also legendary.
Video 58. Refazenda by Gilberto Gil (1975) Source. Video 59. Lamento Sertanejo by Gilberto Gil (1975) Source. Video 60. Tenho sede by Gilberto Gil (1975) Source. Video 61. Sítio Do Picapau Amarelo by Gilberto Gil (1977) Source. This song is the opening theme of the 1977 children's television series based on the renowned children books of the same name by Brazilian author Monteiro Lobato.The same song was also used on the 2001 series, e.g.: www.youtube.com/watch?v=i9RbBcDTRAI.The choice of Gilberto Gil as a singer and composer was a stroke of genius, as his natural quirkiness perfectly suits the subject matter of the books.
Mostly interpreter of songs written by others. But she's just too amazing, many of her interpretations are better than the original.
God, even Ciro Santilli is slightly shocked by her death, which happened before he was born, can you imagine it at the time? She was MPB's golden girl...
Capoeira music is amazing. And some Brazilian pop adaptations of it have also been awesome.
This incredibly foul mouthed band was incredibly funny.
Ciro Santilli was a bit young to understand the songs at the time, but the older boys were singing them, and he sang along. So maybe there is a nostalgia factor in play.
But it can't be just that. They are just too funny and brutal, even when Ciro re-listens to it as of 2020.
Many Brazilian religious cranks in were really happy when their plane crashed and killed all of them in 1996.
Official YouTube channel: www.youtube.com/channel/UCPmfP5LNbxYwlN0k6C3F_6w
Best songs:
- Pelados Em Santos (1995). Not too amazing, they only try to be funny by making fun of the North-Eastern accent of Brazil, which is considered somewhat funny in São Paulo, and they fail at being funny.But it talks about Santos, São Paulo, Brazil, Ciro's idolized city, so let's hear it. They didn't live in Santos apparently, but being from São Paulo City, they would have been familiar with that popular local beach location.